Night by Elie Wiesel
Monday, March 12, 2012
Mary "Night" Post #3-Final
I think Elie Wiesel may be one of the bravest people I've ever had the honor to get to know, if even just a little. He could have done what so many others did, forget family and friends and become what his surroundings wanting, a creature to use and abuse. Instead he kept his humanity from destroying him through all the pain by finding his center in his father, his only family, and detaching himself from everything else as long as he could afford. He willingly made the choice never to leave his father even though it could mean death for himself. He never took out his anger on those around him, instead he became a totally unbiased human being who could not die by mortal hands because he walked arm-in-arm with Death, and they were friends who never doubted each others' company.
Viki Response 3 (85-120)
First of all (and it will be out of order) I want to mention one of the things he said in his Nobel Prize acceptance speech; "I remember he asked his father, 'Can this be true? This is the twentieth century, not the middle ages. Who would allow such crimes to be committed?'" (p. 118) For some reason, I feel like these things will always happen, not always so drastically, but I think there will always be at least a little bit of hate between people who are inevitably different from other people. For example, a few months ago I saw an article (I follow LGBT news very closely) about transgender issues I will post a link below including examples of torture, killings (often described as hate crimes, but I classify them as a form of genocide) and even arrests simply for being different, for being transgendered. Is that fair in any form of the word?
Also the last lines of the memoir, "From the depths of the mirror a corpse was contemplating me. The look in his eyes as he gazed at me has never left." (p. 115) These words are haunting me. He described himself as a corpse and in the third person, and for some reason him referring to himself that way concerns me-it makes me feel like he doesn't feel like he knows himself anymore at all.
The only other point I'd like to make tonight is how he explained the death of his father. After reading the preface I don't think he does the event justice by putting it so simply, I seriously almost missed it. I was reading through half distracted by the music playing and almost missed the fact that this was when his father died. He spoke of it so vaguely, as if it was something painful. If I didn't already know why his father's death isn't spoken of explicitly I would confuse his lack of detail for sadness, maybe it was too hard for him to speak of this. This however isn't the case. In the original Yiddish, he speaks in great detail of his father's death. He goes on for a page and a half describing his father's cries and how he was so afraid of being beaten himself that he ignored his father's last wishes and stood feet away blind deaf and dumb. Before editing in the new translations, these thoughts and details of his fathers death, things that were so powerful at least to me, were cut from the text perhaps to guard the readers from the pain they cause-Isn't the power in the pain and the harshness? Isn't one of the purposes here to never let this happen again? How can we do that if we don't have the darkest details, the most painful bits? The tragic details are what makes the stories so powerful, without them someone reading wouldn't get nearly as much of the impact.
Anyways, how can we expect these things to happen again. I mean it's the twenty-first century. Noone would let this happen again.
Yeah, right.
http://www.huffingtonpost.com/pete-subkoviak/lgbt-leadership-splitting_b_1093522.html
Sunday, March 11, 2012
Alicia Albuquerque Response #3
After I finished Night and set it down once more, I reflected upon the contents of this most heartwrenching story. The insufferable horrors seem so unreal, and I still cannot seem to fathom how any of it could have ever actually happened. It seems as if the story was simply a truly riveting fictional piece, though I know this is certainly not the case, no matter how much I wish it could be. As the story progressed, I had hoped Elie's situation had finally improved. However, it only seemed to be getting worse, and my heart raced and ached along with his. I became very angry when, at the beginning of this third section of the text, the SS officers were treating the Jews so inhumanely. Their march, or run, seems so unreal to me. Elie recalls, "From time to time, a shot exploded in the darkness. They had orders to shoot anyone who could not sustain the pace. Their fingers on the triggers, they did not deprive themselves of the pleasure. If one of us stopped for a second, a quick shot eliminated the filthy dog" (85). The simple comparison to a dog really struck me. It illustrates how the officers viewed the prisoners as no more than animals, helpless creatures who could easily be disposed of and replaced at the drop of a hat. I was also appalled at the mention of the pleasure felt by the officers upon killing an Jew. How could one feel joy at another's expense? How could one feel happy about killing another human being? The idea simply baffles me, and this is why I was so surprised as well as angry whilst reading this portion of the text.
Another part of the text that really bothered me was the whole issue of the father and son relationships. It seems that this was mentioned over and over again during the later part of the story, and each time it seems that a son gave up on a father. For example, when the deceased lay upon the snow, Elie says, "Sons abonded the remains of their fathers without a tear" (92). Another example of this heartbreaking scenario arose when bread was thrown into one of the cars holding the Jews. An old man tried to eat a piece, but his son beat his own father to death in order to attain it himself. The son was killed as well. However, the most profound example of this resided with Elie and his own father. When his father fell gravely ill, Elie detached himself from his father emotionally in order to survive. He stopped answering his father's cries, and he looked on as the officers attack him. He acknowledged his guilt upon wishing his father was gone so that his life would be easier, yet he longed for the extra soup and bread he could have if he stopped giving it to his dying father (111). I was greatly disturbed by this. I cannot imagine being in this situation with my family, and giving up on their survival so that I could live myself. I really don't think I could ever do that to my own mother, father, or siblings. I would want them to live as badly, or more badly, than I wanted to live myself. He also did not cry when his father died, and I can't imagine why. I certainly would have if I had gone through such an ordeal and had lost the only thing that was holding me together, albeit by even a single thread. However, how could I judge Elie? He survived a horrendous ordeal, something I would never wish upon anyone. As much as I try to put myself in his shoes, I know I could never accurately picture it unless I had gone through it myself. As horrific as the story was, I'm glad I had the opportunity to read Night; it truly made me appreciate what I have, and I know that, even when things seem bleakest, they could always be a lot worse.
Thursday, March 8, 2012
One of these many details is how easy it is for Elie Wiesel to lie to the dentist and not have to deal with any immediate consequences. For instance, when the dentist tells him he's going to remove Wiesel's gold crown, Elie blatantly lies saying, "Couldn't you wait a few days sir? I don't feel well, I have a fever" (52). And before the dentist can call him back to remove his crown, he is hung and Wiesel is allowed to keep his crown for a while, even though he ends up having it taken from him eventually.
The two hangings that I read about in this section shocked me because I had never even realized that two events, carried out the exact same way, could turn out so differently. The first hanging, the one in which a man had been condemned to die for stealing a ration of soup left unattended, was almost inspiring. The way he defied everything around him for a bowl of soup! And his last words, they almost remind me of the Declaration of Independence in the way that they must have sounded that day, "Long live liberty!" (62). It must have given the other prisoners something to hope for because that night, "...the soup tasted better than ever" (63), on that night, I'm sure the soup tasted like the hope for a second chance at surviving. Sadly, this was quickly buffeted by the storms of a death that should never be, the long, slow, agonizing, and cruel death of a child who does not even way enough to end his own suffering or cry out his defiance before his people, his faith, and himself. The soup was right to taste like corpses that night because what those people witnessed was something dearly akin to God hanging on the gallows, struggling to end the suffering.
I can only hope that Wiesel does not kick himself over the decision to leave the camp with the evacuation. He had know way of knowing how close liberation was and like the others around him, he was expecting only the worst, which is completely logical and reasonable.